The Band:

Gabe Saporta - Vocals
Ryland Blackinton - Guitar
Alex Suarez - Bass
Nate Novarro - Drums
Victoria Asher - Keytar Full Bio

At first, I tried whispering: "Gabriel! Gabe Ssssssssaportaaaaaaaa..." Then shouting:
"BRO!"
But Gabe Saporta is a sound sleeper, especially after partying all night. And he'd raised a particularly raucous ruckus this evening because his band—our band, really—had just celebrated its one-year anniversary by playing to 10,000 screaming Japanese kids. As I watched him sleep, I could sense he was dreaming about worlds unconquered, mountains unclimbed and parties un-Gabed. I knew he was tired and he needed sleep. But I knew I needed action. So I bit him…I bit him right in the fucking neck.
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Phase The First:

When I first met our future savior, he was depressed. His love of underground poker clubs had left him financially ruined and spiritually bankrupt. He'd spent months in his parents’ basement in New Jersey putting together an album of the hookiest, most bangin’ rock songs the world had never heard. But the world wasn’t interested in hearing it, and so he’d given up. I found him wandering the Arizona desert, lost and bewildered and ready to die; beaten down by the sun and the heat, and the many droopy emo bands that were inescapable even there – hundreds of miles from civilization. It was 2005. And I had come from the future with a message for all of humanity: “You’re fucked.”
You see, in the future, Cobras are the only ones who survive. But if mankind was to go out, I had to make sure it went out in style (and not like a bunch of pussy emo kids – or worse, like a bunch of whiny hipsters taking themselves too seriously).
Unbeknownst to Gabe, I had chosen him to lead the charge. He was at such a low in his life, that the sight of a talking snake from the future would not faze him in the least. Plus I knew that despite his current sorry-ass disposition, he had the talent, the songs, and the ambition.
When he danced however, he looked much like Wilt Chamberlain on ecstasy; a mess of limbs and bizarre faces. Fortunately, I was able to upload Fresh Moves version 6.4 onto his mental hard drive. I also uploaded Reason 3.0 so he could learn how to make beats and add a whole new dynamic to his songs. (After all, how was he going to teach all these white kids to dance if his songs didn’t make them want to shake their ass?) Next, I gave him the missing link: a band (called Cobra Starship in honor of me of course), a launching pad (a little movie called Snakes On A Plane), and the sort of music industry mentoring that only a Cobra from the future can provide. Seeds were planted, a deal was signed, and within no-time Cobra Starship's first album, "While the City Sleeps, We Rule The Streets" debuted at #1 on Billboard's New Artists chart.
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Phase The Second:

Gabe was a capable soldier, but without comrades, Cobra Starship would always be "just a project." And projects don't take over the world. My vessel needed a real band; a real one, not a label-auditioned set of Hollywood haircuts. With my starship set to "Sweet!," I discovered Ryland Blackinton playing Soldier No.4 in an off-off-off-Broadway production of The King of Siam – and truth be told, I had initially mistaken him for Tom Green. Next was Nate Novarro, an Atlanta drum tech who got so excited that he almost ran me over on his way out of town. In order to test his devotion to the Cobra, I had his car stolen three days later by my step-brother Larry (it’s now Jupiter’s smallest moon, and Young Nate’s faith never wavered). I rescued Alex Suarez from a two-bedroom flophouse with nine people living in it. Naturally he came without a fight. And lastly, since in the not-so-distant future, all music will be played exclusively on the keytar, I devoted the most time to finding our final member, Vicky T. I could have found her sooner, but she was on Myspace. And snakes don't have fingers (which as you can imagine, makes typing quite the task).
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Phase The Third:

Thus outfitted, Cobra Starship hit the road for a rigorous year of touring with the likes of Fall Out Boy, Panic! At The Disco, Gym Class Heroes, 30 Seconds to Mars, Cartel, Boys Like Girls and many more. Audiences swelled as the band earned a loyal fan base stretching across the globe. Drunk with ambition (and an herbal-confidence booster from my native planet, which I slipped into their drinks while they were in the bathroom), I convinced the band to embark on a second album to further spread the reach of my gospel. I assigned the sexy role of producer to my most-tenacious minion, LORD GROOVIUS, known to the earth people as Patrick Stump. Coincidentally, the Cobras were already on tour Hide Bio